Sheila Cowley is a playwright and audio producer whose work embraces other artforms – creating theatre that celebrates voice, movement, sound, visual art and circus artistry. It’s theatre that asks big questions – about gender roles and family, and tiny daily acts of heroism.
“While voice is what drew me to theatre, I’m increasingly inspired by the ways that stories can be told without words, and often should be told without words.
“I thrive on collaborative energy. It’s through the sparks created by exploring ideas with actors, directors, dancers, designers and visual artists, that I find the paths into each play I write.
“My plays focus on the tensions underneath the masks we wear. My work explores gender pressures, gender role reversals and the ever-changing parts we play as families shift due to marriage, death and divorce.
“But if I can explore all that with dance and circus, all the better.”
The Latest. . .
A thrilling collaboration with choreographers Helen Hansen French and Paula Kramer, actors Eugenie Bondurant and Chris Rutherford, dancers Helen Hansen French, Alex Jones, Erin Cardinal, Brian Fidalgo II and viola player A.J. Vaughan on Air-Earth-Fire-Water, a dance-theatre sequence inspired by science and commissioned by Creative Loafing Tampa for the GASP! Fringe Festival on March 16 at the Tampa Museum of Art. Three gorgeous performances and a thoroughly fulfilling experience.
The rehearsal process was a beautiful adventure, with the script as a starting point and everyone’s ideas helping to build a spectacular, funny and moving performance.
To be reprised at The Studio@620 on March 23.
Trio’s in rehearsals for its world premiere April 26-May 6 at Austin TX’s bold new Filigree Theatre! With Chelsea Beth, Ben Gibson, Ethan Cannon, Eva McQuade, Andrew Rodriguez and Marci Blackwell. Directed by the wonderful Elizabeth V. Newman, sound design by Eliot Fisher, set design by Chris Conard, costume design by Keli Pollarine, fight choreography by Adam Miller-Batteau, mime and physical theatre choreography by Amelia Turner. Stage manager Jennifer Sturley, assistant stage manager Duval Romero and producer Stephanie Moore.
Phoenix Theatre‘s Festival of New American Theatre 2018 was a wonderful, welcoming and inspiring experience, as The Burlesque Astronomy Play received a weeklong workshop and two staged readings, March 9-10 with the fabulous team of Angelica Howland, David Dickinson and Maren Mascarelli, directed by William Partlan, with dramaturg Kirt Shineman, stage manager Alex Koszewski and many thanks to festival director Robert Kolby Harper.
It’s an honor to be chosen to serve as a Professional Artist Fellow this year by Creative Pinellas.
Delighted that Stay received a beautiful production at Charleston SC’s South of Broadway Theatre, a beautiful production February 22-March 10, 2018. Many thanks to Artistic Director Kristen Kos, and the vital New Play Exchange. Kristen is utterly amazing in the lead role.
Cheers to all the wonderful writers who joined me for a workshop at the theatre on Some of the Business of Playwriting.
A thrill that Teatime is part of the Short+Sweet Festival in Sydney, Australia, Short+Sweet Dubai and onstage at T. Schreiber Studios in New York City, as part of the Schreiber Shorts Festival. Many thanks to the Association of Theatre in Higher Education‘s New Play Development workshop, and the wonderful creative folk who helped me discover the world of that play.
Thank you to Julie Garisto and Creative Pinellas for including Flying on “2017 Best in Shows – A Year of Collaboration” – a pretty incredible list of visual, literary and performing arts events in our home county.
Many thanks to Creative Loafing Tampa for naming Flying‘s Tampa-St Pete production as one of The 10 Best Arts, Culture and Entertainment-y Things of 2017.
– – –